Monday, 7 November 2016

Production and Ident - Research

My partner and I decided on names for our production. 'Blue Arrow' and 'Purple Reel' were the two production names, and 'LCA Films' and 'Black Tape Films' were two names that we decided on for our ident. From this, we decided to ask our targeted audience which name they thought was best. From the vote, you can see that the decided production company name was 'Blue Arrow' and our ident name was 'Black Tape Films'. 


Sunday, 6 November 2016

Harry Potter - Film scored Analysis



This is one of the most famous pieces of score music, from the series 'Harry Potter'. This soundtrack is from 'Harry Potter and the Philosophers Stone' known as 'Hedwig's Theme'. The soundtrack was composed by John Williams who scored the first three Harry Potter films. This soundtrack was featured in the prologue, until it was then used in the end credits.
This piece of music is well known for its pacy, rhythmic and magical sounding tune. Originally the score was created for Harry's pet snowy owl, named Hedwig. However the use of the scored music throughout the film captures the mystery of what the character, Harry would have felt like finding out that he belonged to a world full of magic, wizards and witches.

The film score is played mainly in an E minor key. Williams plays this tune in 6 bars, had there been a seventh the music would have been in the realm of the ordinary. Therefore, by substituting the F# with F, and the A with A#, Williams is able to create a chord which cannot be completely explained, just like a wizard's magic.

Although this scored music may not be present in the entire Harry Potter squeal there are a few that contain this music in either their trailer, throughout the film or during the end credits, for example: The Philosopher Stone, The Chamber of Secrets and The Goblet of Fire. These are just a few of the films in the sequel.

For our film trailer we have had to find a piece of music that has already been created, as we have neither the time nor the equipment to create our own. Although this saves us time, some time will obviously be spent researching and listening to different music to ensure that our chosen soundtrack fits well with our chosen genre and also, enhances the action on screen. Our soundtrack choice will be similar to this film score, a piece of music that is upbeat and engaging to an audience.

Friday, 4 November 2016

The History/Elements of Film Scores

The History of music in Films:

Before the 30's all film productions were silent. As the years progressed music was then added to films to make them more interesting and to heighten the experience for the audience who were engaging within the media product.

During the 50's when Jazz music was introduced the music score that was placed in films had changed. Because of this it was less expensive for musicians as an entire orchestra was no longer needed. This continued through to the 60's.
Current score writers such as John Williams still use these techniques.

Within the 80's and 90's it became possible for the first time for a single composer to produce an entire scored piece of music because they used a synthesizer to produce the many sounds of the instruments.


With todays technology, we are able to create film scores that contribute to the movies plot to enhance the film and make it more engaging. Additionally, the film scores that are added to different media products convey different emotions for the audience and enhance the genre, e.g, satirical, horror or fantasy.

Elements of Film Score:

TEMP TRACKS - A temp track is a film score which already exists and is used during film production during editing it acts as guidance for the mood or atmosphere.
Film score composers are sometimes asked to imitate a specific composer or style in their temp track. Some directors prefer temp scores so much that they decided to use the temp score instead and reject the original score written by the film composers.
STRUCTURE - Films have different themes depending on the type of character they are, the event or even the story line. Therefore the way the music is played varies, for example, scattered amongst identical music.
SCORE MUSIC - A majority of films have around 40 to 120 minutes of music in their production. However, some films have little or no music within their film, or others may have music running throughout.

Evaluation Question 4